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Notebooks of Leonardo Da Vinci Complete - The Original Classic Edition - Sprawdź naszą wygodną WYSZUKIWARKĘ PODRĘCZNIKÓW!
Finally available, a high quality book of the original classic edition of The Notebooks of Leonardo Da Vinci Complete. It was previously published by other bona fide publishers, and is now, after many years, back in print. This is a new and freshly published edition of this culturally important work by Leonardo da Vinci Leonardo da Vinci, which is now, at last, again available to you. Get the PDF and EPUB NOW as well. Included in your purchase you have The Notebooks of Leonardo Da Vinci Complete in EPUB AND PDF format to read on any tablet, eReader, desktop, laptop or smartphone simultaneous - Get it NOW. Enjoy this classic work today. These selected paragraphs distill the contents and give you a quick look inside The Notebooks of Leonardo Da Vinci Complete:Look inside the book: General remarks on perspective (40-41).-The elements of perspective:-of the point (42-46).-Of the line (47-48).-The nature of the outline (49).-Definition of perspective (50).-The perception of the object depends on the direction of the eye (51).-Experimental proof of the existence of the pyramid of sight (52-55).-The relations of the distance point to the vanishing point (55-56).-How to measure the pyramid of vision (57).-The production of the pyramid of vision (58-64).-Proof by experiment (65-66).-General conclusions (67).-That the contrary is impossible (68).-A parallel case (69).-The function of the eye, as explained by the camera obscura (70-71).-The practice of perspective (72-73).-Refraction of the rays falling upon the eye (74-75).-The inversion of the images (76).-The intersection of the rays (77-82).-Demonstration of perspective by means of a vertical glass plane (83-85.)-The angle of sight varies with the distance (86-88).-Opposite pyramids in juxtaposition (89).-On simple and complex perspective (90).-The proper distance of objects from the eye (91-92).-The relative size of objects with regard to their distance from the eye (93-98).-The apparent size of objects denned by calculation (99-106).-On natural perspective (107-109). ...GENERAL INTRODUCTION.-Prolegomena (110).-Scheme of the books on light and shade (111).-Different principles and plans of treatment (112-116).-Different sorts of light (117-118).-Definition of the nature of shadows (119-122).-Of the various kinds of shadows (123-125).-Of the various kinds of light (126-127).-General remarks (128-129).-FIRST BOOK ON LIGHT AND SHADE.-On the nature of light (130-131).-The difference between light and lustre (132-135).-The relations of luminous to illuminated bodies (136). -Experiments on the relation of light and shadow within a room (137-140).-Light and shadow with regard to the position of the eye (141-145).-The law of the incidence of light (146-147).-SECOND BOOK ON LIGHT AND SHADE.-Gradations of strength in the shadows (148-149).-On the intensity of shadows as dependent on the distance from the light (150-152).-On the proportion of light and shadow (153-157).-THIRD BOOK ON LIGHT AND SHADE.-Definition of derived shadow (158-159).-Different sorts of derived shadows (160-162).-On the relation of derived and primary shadow (163-165).-On the shape of derived shadows (166-174).-On the relative intensity of derived shadows (175-179).-Shadow as two lights of different size (180-181).-The effect of light at different distances (182).-Further complications in the derived shadows (183-187).-FOURTH BOOK ON LIGHT AND SHADE.-On the shape of cast shadows (188-191).-On the outlines of cast shadows (192-195).-On the relative size of cast shadows (196. About Leonardo da Vinci Leonardo da Vinci, the Author: Many of his most prominent pupils or followers in painting either knew or worked with him in Milan, including Bernardino Luini, Giovanni Antonio Boltraffio and Marco d'Oggione.nb 14 However, he did not stay in Milan for long because his father had died in 1504, and in 1507 he was back in Florence trying to sort out problems with his brothers over his father'
Living on the Edge in Leonardo''s Florence Selected Essays
In Living on the Edge in Leonardo''s Florence, an internationally renowned master of the historian''s craft provides a splendid overview of Italian history from the Black Death to the rise of the Medici in 1434 and beyond into the early modern period. Gene Brucker explores those pivotal years in Florence and ranges over northern Italy, with forays into the histories of Genoa, Milan, and Venice. The ten essays, three of which have never before been published, exhibit Brucker''s graceful intelligence
EBOOK Bernardino Luini Masterpieces in Colour Series - The Original Classic Edition - Sprawdź naszą wygodną WYSZUKIWARKĘ PODRĘCZNIKÓW!
Finally available, a high quality book of the original classic edition of Bernardino Luini Masterpieces in Colour Series. It was previously published by other bona fide publishers, and is now, after many years, back in print. This is a new and freshly published edition of this culturally important work by James Mason, which is now, at last, again available to you. Get the PDF and EPUB NOW as well. Included in your purchase you have Bernardino Luini Masterpieces in Colour Series in EPUB AND PDF format to read on any tablet, ereader, desktop, laptop or smartphone simultaneous - Get it NOW. Enjoy this classic work today. These selected paragraphs distill the contents and give you a quick look inside Bernardino Luini Masterpieces in Colour Series:Look inside the book: He may not even have heard his name before, but he will come away quite determined to learn all he may about the man who painted the wonderful frescoes that seem destined to retain their spiritual beauty till the last faint trace of the design passes beyond the reach of the eye, the man who painted the panel picture of the "e;Virgin of the Rose Trees,"e; reproduced with other of his master-works in these pages. ...Leonardo had an academy in Milan, and it is reasonable to suppose that Luini worked in it, although at the time when he is supposed to have come for the first time to the capital of Lombardy, Leonardo da Vinci had left, apparently because Louis XII. of France, cousin and successor of that Charles VIII. who had troubled the peace of Italy for so long, was thundering at the city gates, and at such a time great artists were apt to remember that they had good patrons elsewhere.