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A Gripping Performance, One Of The Best Recordings Ever Of This Modern Masterpiece, And Certainly The Best In Its Price Range. Karl Bohm Was One Of The Classic Conductors Of This Opera From The Beginning, And This Is One Of His Most Dramatic Readings. Truly A Legend In Her Own Time, Soprano Anja Silja Recently Celebrated Her 70th Birthday Just A Few Months After Performing In Berg''s Opera Lulu! For Over 30 Years, She Has Been Considered A Leading Vocal Interpreter Of Berg, Schoenberg, Weill, Janacek And Wagner. Live Performance, Salzburg, August 8, 1971. "Geraint Evans''Wozzeck Is A Powerful, Tragic Presence... Balancing Clarity And Madness, Power And Impotence, Nobility And Crudeness, It Is One Of The Great Portrayals Of The Role On Disc. It Is Bohm''s Conducting That Sets This Performance Apart, However, Thanks In Large Part To The Vienna Philharmonic, Which Has Rarely Been Captured Playing With Such Violence And Grit...Bohm Seems To Have The Final Catastrophe In Sight From The Very Beginning, And Each Climax Is More Harrowing Than The Last...do Not Pass Up This Inexpensive Release; It Is An Extraordinary Document Not To Be Missed." - Gramophone
1. Amadini, Maria - La Fanciulla Del West (Das Maedch 2. Prelude 3. Hello! Hello! Alla Polka! Alle Palme! (1. Akt) 4. Che Faranno I Vecchi Miei 5. Jim, Perche Piangi? 6. Va Tutto? 7. Hello Minnie! 8. Regalias? Auroras? Eurekas? 9. Dove Eravamo 10. La Posta! 11. Ti Voglio Bene, Minnie 12. Minnie, Dalla Mia Casa Son Partito 13. Laggiu Nel Soledad, Ero Piccina 14. Chi C''e, Per Farmi I Ricci? 15. Mister Johnson, Voi M''avente Seccato! 16. La, La, La, La, La 17. Mister Johnson, Siete Rimaste Indietro 18. Non So, Non So. Io Non Son Che Una Povera Fanciull 19. Quello Che Voi Tacete Me L''ha Detto Il Cor 20. Che Cosa C''e? 21. Povera Gente! 101. Il Mio Bimbo E Grande E Piccino (2. Akt) 102. Billy, E Fissato? 103. Buona Sera!... 104. Oh, Se Sapeste Come Il Vivere E Allegro 105. Del Biscotto Alla Crema? 106. Ugh! Neve! 107. Minnie! Minnie!... 108. Hello!... Chiamano... 109. Bada Di Non Fidarti Troppo Un''altra Volta! 110. Fuori! Vieni Fuori! 111. Una Parola Sola! 112. L''han Ferito... Che Importa? 113. Che C''e Di Nuovo, Jack? 114. E La! E La! 115. Siete Pronto? 116. Ve Lo Giuro, Sceriffo ( 3. Akt) 117. Ah! Ah! Ah! Ah!... Urrah, Ragazzi! 118. E Cosi, Mister Johnson, Come Va? 119. Per Lei, Per Lei Soltano... Ch''ella Mi Creda 120. Ah! Ah! Ah!... E Minnie! 121. E Anche Tu Lo Vorrai, Joe
1. All''erta! All''erta L''alba Appari 2. O Di Cromwell Guerrieri 3. Or Dove Fuggo Mai 4. Ah! Per Sempre Io Ti Perdei 5. O Amato Zio, O Mio Secondo Padre! 6. Sai Com''arde In Petto Mio 7. Ad Arturo Onore 8. A Te, O Cara 9. Il Rito Augusto Si Compia Senza Me 10. Son Vergin Vezzosa 11. Ferma! Invan, Invan Rapir Pretendi 12. Dov''e Arturo? 13. Ma Tu Gia Mi Fuggi 101. Ah! Dolor Ah! Terror 102. Cinta Di Fiori
1. Merai, Doux Cracpuscule! 2. Je L''entends! 3. Autrefois Un Roi De Thulac 4. Esprits Des Flammes Inconstantes... 5. Maintenant, Chantons 6. Devant La Maison 7. Grand Dieu! Que Vois-je! 8. Allons, Il Est Trop Tard! 9. D''amour L''ardente Flamme 10. Au Son Des Trompettes 11. Nature Immense 12. Ac La Voa Te Azurace 13. Dans Mon Coeur Retentit 14. Has! Irimiru Karabrao! 15. Laus! Laus! Hosanna!
The great Beverly Sills is heard in one of her most thrilling roles, the "Daughter of the Regiment" (one of Donizetti''s finest comic operas), in this live performance of the original French version. Marie''s second-act cabaletta, "Salut a la France," became almost a second national anthem, and is still a favorite choice for French theaters to present on Bastille Day as a gala event. In 1969, Beverly Sills was at her vocal peak and, as she was particularly skillful in bringing comic roles to life, this is one of her all-time best performances. Legendary comic bass Fernando Corena is a first-class addition to the cast along with tenor Grayson Hirst, a fine artist little-known to recordings. Live performance, 1969.
The great Beverly Sills is heard in one of her most thrilling roles, the Daughter of the Regiment (one of Donizetti s finest comic operas), in this live performance of the original French version. Marie s second-act cabaletta, Salut a la France, became almost a second national anthem, and is still a favorite choice for French theaters to present on Bastille Day as a gala event. In 1969, Beverly Sills was at her vocal peak and, as she was particularly skillful in bringing comic roles to life, this is one of her all-time best performances. Legendary comic bass Fernando Corena is a first-class addition to the cast along with tenor Grayson Hirst, a fine artist little-known to recordings. Live performance, 1969.
A gripping performance, one of the best recordings ever of this modern masterpiece, and certainly the best in its price range. Karl Böhm was one of the classic conductors of this opera from the beginning, and this is one of his most dramatic readings. Truly a legend in her own time, soprano Anja Silja recently celebrated her 70th birthday just a few months after performing in Berg s opera Lulu! For over 30 years, she has been considered a leading vocal interpreter of Berg, Schoenberg, Weill, Janácek and Wagner. Live performance, Salzburg, August 8, 1971. "Geraint Evans Wozzeck is a powerful, tragic presence Balancing clarity and madness, power and impotence, nobility and crudeness, it is one of the great portrayals of the role on disc. It is Böhm s conducting that sets this performance apart, however, thanks in large part to the Vienna Philharmonic, which has rarely been captured playing with such violence and grit Böhm seems to have the final catastrophe in sight from the very beginning, and each climax is more harrowing than the last do not pass up this inexpensive release; it is an extraordinary document not to be missed. Gramophone
Live performance, Berlin, September 29, 1955. One of the greatest live complete opera recordings starring Maria Callas, and the best of her recordings of Lucia di Lammermoor. Selected as one of the best performances from the vast Opera d Oro catalog and reissued with new packaging, performance notes from Callas biographer Robert Levine, the fabulous cover art of Rafal Olbinski, and complete libretto newly translated by Bill Parker. If I could own but a single Callas set it would be this one! John Ardoin, author, The Callas Legacy
Flet sopranowy prosty polskiej firmy MUZA. Aplikatura: renesansowy (pojedyncze dziurki). Wykonany z plastiku. W komplecie wycior do czyszczenia fletu. Dostępne w różnych kolorach - PROSIMY PYTAĆ O DOSTĘPNE KOLORY !
Wyprodukowano z wysokiej jakości porcelany, odpowiednie do mikrofali, zmywarek i lodówek. Gwarancja 5-letnia. Zastrzegamy, że stany magazynowe podawane przez producenta mogą różnić się od stanów magazynowych faktycznych. Przed złożeniem zamówienia zalecamy kontakt z naszym biurem handlowym celem weryfikacji dostępności towaru.